FILM THEORY & CRITICISM in Spring 2024 (FM3027)

What precisely is cinema’s relationship to reality and the real world? Is cinema a form of art, an escapist mode of entertainment, or a means of ideological control? In what ways have technological developments impacted filmmaking and its cultural, social and political functions? This course explores enduring questions of film theory: the history of ideas concerning cinema as medium of art, entertainment and technology, and the multifaceted effects films are claimed to have upon their spectators. The course will explore central debates about the nature of film and provide an opportunity to reflect on different—and often competing—theoretical frameworks. Students will read foundational writings of film theory, critically evaluate the conceptual underpinnings of key commentators, and discuss the validity of theoretical models through close analyses of seminal films.